The work of Portishead co-founder Geoff Barrow, this scabrous if undernourished debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, fuming after David kills his dog. Nevertheless, a grimly amusing duel unfolds – David desperate to escape; the Poacher denying his container of cider, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one key story turn, but it results in a comically executed rampage on the woodland paths that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in UK and Irish cinemas from November 17.
